Your Favorite Quotes/Passages From Books.

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p.falk
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Your Favorite Quotes/Passages From Books.

Post by p.falk »

I've quite a few that I've noted down over the years.

From "We Were Soldiers Once... And Young".
They are the Gold Star children, war’s innocent victims, and their pain shimmers across the years pure and undimmed. They pass through life with an empty room in their hearts where a father was supposed to live and laugh and love. All their lives they listen for the footstep that will never fall, and long to know what might have been.
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Re: Your Favorite Quotes/Passages From Books.

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The last paragraph from "The Road" by Cormac McCarthy.
Once there were brook trout in the streams in the mountains. You could see them standing in the amber current where the white edges of their fins wimpled softly in the flow. They smelled of moss in your hand. Polished and muscular and torsional. On their backs were vermiculate patterns that were maps of the world in its becoming. Maps and mazes. Of a thing which could not be put back. Not be made right again. In the deep glens where they lived all things were older than man and they hummed of mystery.
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Re: Your Favorite Quotes/Passages From Books.

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"The Moviegoer" by Walker Percy
Three o'clock and suddenly awake amid the smell of dreams and of the years come back and peopled and blown away again like smoke. A young man am I, twenty-nine, but I am as full of dreams as an ancient. At night the years come back and perch around my bed like ghosts.
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Re: Your Favorite Quotes/Passages From Books.

Post by Highlander »

All impressive.
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Re: Your Favorite Quotes/Passages From Books.

Post by p.falk »

Thanks, Highlander!

Something about a moving passage like those always gives me a moment of pause. Little blessings from God.
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Re: Your Favorite Quotes/Passages From Books.

Post by Irenaeus »

Archangel is from John Updike's Pigeon Feathers and Other Stories, a collection of his early short stories. I never read any of his novels which reputedly deal often with suburban adultery and divorce. But some of the passage below could pass for parts of the Apocalypse.

Archangel by John Updike

ONYX and split cedar and bronze vessels lowered into still water: these things I offer. Porphyry, teakwood, jasmine, and myrrh: these gifts I bring. The sheen of my sandals is dulled by the dust of cloves. My wings are waxed with nectar. My eyes are diamonds in whose facets red gold is mirrored. My face is a mask of ivory: Love me. Listen to my promises:

Cold water will drip from the intricately chased designs of the bronze vessels. Thick-lipped urns will sweat in the fragrant cellars. The orchards never weary of bearing on my islands. The very leaves give nourishment. The banked branches never crowd the paths. The grape vines will grow unattended. The very seeds of the berries are sweet nuts. Why do you smile? Have you never been hungry?

The workmanship of the bowers will be immaculate. Where the elements are joined, the sword of the thinnest whisper will find its point excluded. Where the beams have been tapered, each swipe of the plane is continuous. Where the wood needed locking, pegs of a counter grain have been driven. The ceilings are high, for coolness, and the spaced shingles seal at the first breath of mist. Though the windows are open, the eaves of the roof are so wide that nothing of the rain comes into the rooms but its scent. Mats of perfect cleanness cover the floor. The fire is cupped in black rock and sustained on a smooth breast of ash. Have you never lacked shelter?

Where, then, has your life been touched? My pleasures are as specific as they are everlasting. The sliced edges of a fresh ream of laid paper, cream, stiff, rag-rich. The freckles of the closed eyelids of a woman attentive in the first white blush of morning. The ball diminishing well down the broad green throat of the first at Cape Ann. The good catch, a candy sun slatting the bleachers. The fair at the vanished poorhouse. The white arms of the girls dancing, taffeta, white arms violet in the hollows music its ecstasies praise the white wrists of praise the white arms and the white paper trimmed the Euclidean proof of Pythagoras' theorem its tightening beauty the iridescence of an old copper found in the salt sand. The microscopic glitter in the ink of the letters of words that are your own. Certain moments, remembered or imagined, of childhood. Three- handed pinochle by the brown glow of the stained-glass lampshade, your parents out of their godliness silently wishing you to win. The Brancusi room, silent. Pines and Rocks, by Cezanne; and The Lace-Maker in the Louvre hardly bigger than your spread hand.

Such glimmers I shall widen to rivers; nothing will be lost, not the least grain of remembered dust, and the multiplication shall be a thousand thousand fold; love me. Embrace me; come, touch my side, where honey flows. Do not be afraid. Why should my promises be vain? Jade and cinnamon: do you deny that such things exist? Why do you turn away? Is not my song a stream of balm? My arms are heaped with apples and ancient books; there is no harm in me; no. Stay. Praise me. Your praise of me is praise of yourself; wait. Listen. I will begin again.
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Re: Your Favorite Quotes/Passages From Books.

Post by Irenaeus »

Here is about half of the Prologue to Act IV of Shakespeare's Henry V. The English and French are about to engage in the battle of Agincourt.

PROLOGUE
Enter Chorus

Chorus
Now entertain conjecture of a time
When creeping murmur and the poring dark
Fills the wide vessel of the universe.
From camp to camp through the foul womb of night
The hum of either army stilly sounds,
That the fixed sentinels almost receive
The secret whispers of each other's watch:
Fire answers fire, and through their paly flames
Each battle sees the other's umber'd face;
Steed threatens steed, in high and boastful neighs
Piercing the night's dull ear, and from the tents
The armourers, accomplishing the knights,
With busy hammers closing rivets up,
Give dreadful note of preparation:
The country cocks do crow, the clocks do toll,
And the third hour of drowsy morning name.
Proud of their numbers and secure in soul,
The confident and over-lusty French
Do the low-rated English play at dice;
And chide the cripple tardy-gaited night
Who, like a foul and ugly witch, doth limp
So tediously away. The poor condemned English,
Like sacrifices, by their watchful fires
Sit patiently and inly ruminate
The morning's danger, and their gesture sad
Investing lank-lean; cheeks and war-worn coats
Presenteth them unto the gazing moon
So many horrid ghosts.
Last edited by Irenaeus on Wed Apr 16, 2025 10:20 pm, edited 1 time in total.
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Re: Your Favorite Quotes/Passages From Books.

Post by Irenaeus »

The following is from Chapter I of G. K. Chesterton's St. Thomas Aquinas. Chesterton had first published in 1923 his biography of St. Francis of Assisi and in this first chapter in the biography of Aquinas first published in 1933 compares the two famous friars.

I

ON TWO FRIARS

Let me at once anticipate comment by answering to the name
of that notorious character, who rushes in where even
the Angels of the Angelic Doctor might fear to tread.
Some time ago I wrote a little book of this type and shape
on St. Francis of Assisi; and some time after (I know not when
or how, as the song says, and certainly not why) I promised
to write a book of the same size, or the same smallness on
St. Thomas Aquinas. The promise was Franciscan only in its rashness;
and the parallel was very far from being Thomistic in its logic.
You can make a sketch of St. Francis: you could only make
a plan of St. Thomas, like the plan of a labyrinthine city.
And yet in a sense he would fit into a much larger or a much
smaller book. What we really know of his life might be pretty
fairly dealt with in a few pages; for he did not, like St. Francis,
disappear in a shower of personal anecdotes and popular legends.
What we know, or could know, or may eventually have the luck
to learn, of his work, will probably fill even more
libraries in the future than it has filled in the past.
It was allowable to sketch St. Francis in an outline; but with
St. Thomas everything depends on the filling up of the outline.
It was even medieval in a manner to illuminate a miniature
of the Poverello, whose very title is a diminutive.
But to make a digest, in the tabloid manner, of the Dumb Ox
of Sicily passes all digestive experiments in the matter
of an ox in a tea-cup. But we must hope it is possible to make
an outline of biography, now that anybody seems capable
of writing an outline of history or an outline of anything.
Only in the present case the outline is rather an outsize.
The gown that could contain the colossal friar is not kept in stock.

I have said that these can only be portraits in outline.
But the concrete contrast is here so striking, that even if we
actually saw the two human figures in outline, coming over the hill
in their friar's gowns, we should find that contrast even comic.
It would be like seeing, even afar off, the silhouettes of Don Quixote
and Sancho Panza, or of Falstaff and Master Slender. St. Francis
was a lean and lively little man; thin as a thread and vibrant
as a bowstring; and in his motions like an arrow from the bow.
All his life was a series of plunges and scampers;
darting after the beggar, dashing naked into the woods,
tossing himself into the strange ship, hurling himself into
the Sultan tent and offering to hurl himself into the fire.
In appearance he must have been like a thin brown skeleton
autumn leaf dancing eternally before the wind; but in truth it
was he that was the wind.

St. Thomas was a huge heavy bull of a man, fat and slow and quiet;
very mild and magnanimous but not very sociable; shy, even apart
from the humility of holiness; and abstracted, even apart from his
occasional and carefully concealed experiences of trance or ecstasy.
St. Francis was so fiery and even fidgety that the ecclesiastics,
before whom he appeared quite suddenly, thought he was a madman.
St. Thomas was so stolid that the scholars, in the schools which
he attended regularly, thought he was a dunce. Indeed, he was the sort
of schoolboy, not unknown, who would much rather be thought a dunce
than have his own dreams invaded, by more active or animated dunces.
This external contrast extends to almost every point in the
two personalities. It was the paradox of St. Francis that while he was
passionately fond of poems, he was rather distrustful of books.
It was the outstanding fact about St. Thomas that he loved books
and lived on books; that he lived the very life of the clerk
or scholar in The Canterbury Tales, who would rather have a hundred
books of Aristotle and his philosophy than any wealth the world
could give him. When asked for what he thanked God most,
he answered simply, "I have understood every page I ever read."
St. Francis was very vivid in his poems and rather vague in his documents;
St. Thomas devoted his whole life to documenting whole systems
of Pagan and Christian literature; and occasionally wrote a hymn
like a man taking a holiday. They saw the same problem from
different angles, of simplicity and subtlety; St. Francis thought
it would be enough to pour out his heart to the Mohammedans,
to persuade them not to worship Mahound. St. Thomas bothered
his head with every hair-splitting distinction and deduction,
about the Absolute or the Accident, merely to prevent them from
misunderstanding Aristotle. St. Francis was the son of a shopkeeper,
or middle class trader; and while his whole life was a revolt
against the mercantile life of his father, he retained none the less,
something of the quickness and social adaptability which makes
the market hum like a hive. In the common phrase, fond as he was
of green fields, he did not let the grass grow under his feet.
He was what American millionaires and gangsters call a live wire.
It is typical of the mechanistic moderns that, even when they
try to imagine a live thing, they can only think of a mechanical
metaphor from a dead thing. There is such a thing as a live worm;
but there is no such thing as a live wire. St. Francis would have
heartily agreed that he was a worm; but he was a very live worm.
Greatest of all foes to the go-getting ideal, he had certainly
abandoned getting, but he was still going. St. Thomas, on the
other hand, came out of a world where he might have enjoyed leisure,
and he remained one of those men whose labour has something of
the placidity of leisure. He was a hard worker, but nobody could
possibly mistake him for a hustler. He had something indefinable
about him, which marks those who work when they need not work.
For he was by birth a gentleman of a great house, and such
repose can remain as a habit, when it is no longer a motive.
But in him it was expressed only in its most amiable elements;
for instance, there was possibly something of it in his effortless
courtesy and patience. Every saint is a man before he is a saint;
and a saint may be made of every sort or kind of man; and most of us will
choose between these different types according to our different tastes.
But I will confess that, while the romantic glory of St. Francis
has lost nothing of its glamour for me, I have in later years grown
to feel almost as much affection, or in some aspects even more,
for this man who unconsciously inhabited a large heart and a
large head, like one inheriting a large house, and exercised there
an equally generous if rather more absent-minded hospitality.
There are moments when St. Francis, the most unworldly man who ever
walked the world, is almost too efficient for me.
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Re: Your Favorite Quotes/Passages From Books.

Post by Irenaeus »

Oh, just a bit more from Chesterton's biography of St. Thomas Aquinas:

Yes; in spite of the contrasts that are as conspicuous and even comic
as the comparison between the fat man and the thin man, the tall
man and the short; in spite of the contrast between the vagabond
and the student, between the apprentice and the aristocrat,
between the book-hater and the book-lover, between the wildest
of all missionaries and the mildest of all professors, the great
fact of medieval history is that these two great men were doing
the same great work; one in the study and the other in the street.
They were not bringing something new into Christianity, in the sense
of something heathen or heretical into Christianity; on the contrary,
they were bringing Christianity into Christendom. But they were
bringing it back against the pressure of certain historic tendencies,
which had hardened into habits in many great schools and authorities
in the Christian Church; and they were using tools and weapons which
seemed to many people to be associated with heresy or heathenry.
St. Francis used Nature much as St. Thomas used Aristotle;
and to some they seemed to be using a Pagan goddess and a Pagan sage.
What they were really doing, and especially what St. Thomas
was really doing, will form the main matter of these pages;
but it is convenient to be able to compare him from the first with a
more popular saint; because we may thus sum up the substance of it
in the most popular way. Perhaps it would sound too paradoxical to say
that these two saints saved us from Spirituality; a dreadful doom.
Perhaps it may be misunderstood if I say that St. Francis,
for all his love of animals, saved us from being Buddhists;
and that St. Thomas, for all his love of Greek philosophy,
saved us from being Platonists. But it is best to say the truth
in its simplest form; that they both reaffirmed the Incarnation,
by bringing God back to earth.
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